1. The progress and interaction between history, culture and reality.

2. The fundamental features of historical and cultural television documentary films.

3. The manifestation of historical and cultural television documentary films.

4. The scientific technology of image application of historical and cultural television
　 documentary films.

5. The story and its re-enactment of historical and cultural television documentary films.

6. The communication between broadcasters and audiences of historical and cultural
　 television documentary films.

INTERNATIONAL DOCUMENTARY PRODUCTION BY DISCOVERY NETWORKS ASIA
Vikram Channa (India)

FILMMAKER STRATEGIES AND TECHNIQUES
Loni Ding (USA)

CROSS CULTURAL FILMMAKING AND HYBRID DOCUMENTARY FORMS
Mitzi Goldman (Australia)

BETWEEN HISTORY AND REALITY
Suliu He (China)

HOW TO OPERATE DOCUMENTARY FILMS AND DOCUMENTARY FILM CHANNELS
Jian Sen Jiang (China)

USING RE-CREATED SCENES IN THE MAKING OF HISTORIC AND CULTURAL DOCUMENTARIES
Xinyu Lǔ (China)

INTERNATIONAL CO-PRODUCTIONS
Michel Noll (Germany/France)

THE PRODUCTION AND SCREENING OF CHINESE INDEPENDENT DOCUMENTARY FILM
Ning Ou & Fei Cao(China)

Use The Shots For Telling - An Analyse For The Film《The Silk Road》
Yuan Ren (China)

THE ROLE OF COMPUTER IMAGES IN CULTURAL HISTORY DOCUMENTARIES
Weijie Shen (China)

PRESENTING THE HISTORY OF THE CHINESE, IN THE US, THROUGH DOCUMENTARY
Lingchi Wang (USA)

MAKING CULTURAL HISTORY DOCUMENTARIES
Koji Watanabe (Japan)

BOTH DIFFICULTY AND HOPE EXIST--MY VIEWPOINT ON DOCUMENTARIES OF CHINA
Jinghe Zhu (China)

CLASSICAL DRAMATURGY IN THE STRUCTURING OF DOCUMENTARIES
Zvi Dor-Ner (USA)